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MatreSCENE - the messy play of motherhood

MatreSCENE - the messy play of motherhood, is a new project, exploring the transformation from individual to mother, through the lens of performance.

MatreSCENE - the messy play of motherhood / writer, performer / Cork Midsummer Festival (work in progress) Sunday 15th June 2025

MatreSCENE - the messy play of motherhood, is a contemporary performance inspired by the concept of matrescence – the period of hormonal, physical, environmental and societal change a woman undergoes in becoming a mother. This under-researched phenomenon is further stifled within the neo-liberal context. With the erosion of community supports and a shift in family structures, motherhood has become a private, conflicted affair: how to be a mother and a professional; how to ask for help; how to mourn our past selves and embrace the complexity of what we have become?

Matrescene - the messy play of motherhood is the search for a new ritual. Through dismantling the structures of performance, it questions the roles we ask women to play and examines our participation in cultural narratives, stereotypes and falsehoods. It features a cast of three artist-mothers – Siobhán Donnellan, Caroline Lynch and Ró Stack – who last worked on a play together in 2012 when both Caroline and Siobhán were pregnant for the first time.

In a mix of memory, mimicry and musing, they explore what it means to perform mother(hood).

2025 (work in progress): script: Ró Stack / performers: Siobhán Donnellan, Caroline Lynch and Ró Stack / direction: Annie Ryan / Producer: Mags Keohane / dramaturgical input: Adriano Cortese, Máiréad Ní Chroinín / research: Dr. Ciara Murphy

Development Funded by an Arts Council Project Award 2024 | Supported by MAKE 2024, irish theatre institute’s six in the attic 2023/24, Ennistymon community centre, University of Galway and Mary Immaculate College.

'the question of what a woman is if she is not a mother has been superseded for me by that of what a woman is if she is a mother; and of what a mother, in fact, is.’

- Rachel Cusk